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:''This article refers to the record singer. For other people with the same name, see George Baker''. George Baker (10 February 1885 – 8 January 1976) was an English singer. He is remembered for singing on thousands of gramophone records in a career that spanned 53 years, beginning in 1909. He is especially associated with the comic baritone roles in recordings of the Gilbert & Sullivan operas. ==Early life and career== George Baker, also known as George Portland (and other recording pseudonyms),〔Other pseudonyms adopted by Baker included Arthur George, Victor Conway, Victor Norbury, Lelie Milton, George Barnes, Walter Duncan and Walter Jeffries. Gammond, Peter (1970) sleeve note to EMI LP HQM 1200〕 was born in Birkenhead, the son of Walter Baker and his wife, Elizabeth, ''née'' Sanders.〔Gaye, p. 334〕 He studied violin, flute and piano as a child. At the age of 16, he served as organist and choirmaster at the Woodford Parish Church in Cheshire. He did the same at two churches in Birkenhead between 1903 and 1906. Baker studied singing with John Acton and won a scholarship to the Royal College of Music. There he studied with Gustave Garcia and was awarded a Patron Funds Grant to continue his vocal studies in Milan in 1914. He was married three times: first to pianist/conductor Grace Lilian Bryant (1871–1955), from 1911 until their divorce in 1922,〔(Marriage certificate of Baker and Bryant ), Staticflickr.com, accessed 11 January 2012. The certificate inaccurately gives Bryant's age as 36 in 1911.〕 then to singer Kathlyn Hilliard, who died in 1933, and then to Olive Groves, another singer and teacher, who died in 1974.〔Chislett, W. A. (obituary, ) ''The Gramophone'', March 1976, (Vol. 53); p. 1453〕 Baker first recorded for Pathé Records in 1909, while still a student; the piano accompanist and conductor (on his orchestrally-accompanied Pathé discs) was his future wife Lilian Bryant, musical director for Pathé's London studios.〔Zwarg, Christian. Liner notes for Truesound Transfers CDs TT-3111, "Lilian Bryant – (Pianist) 1" and TT-3112, "Lilian Bryant – (Conductor) 2", 2012〕 Pathé had just changed its emphasis from cylinders to vertically-cut disc records.〔Pathé recorded to a cylinder master which was pantographically transferred to a wax disc sub-master from which stampers were made. See Zwarg liner notes.〕 After his Pathé debut, in the early 1910s Baker began making lateral-cut records for the Gramophone Company and other labels.〔 In 1934 he recalled the experience as follows: :We worked really hard in those days, for one song had to be sung perfectly at least six times. The records thus made would be played back again and further records made from them. The conditions under which we recorded were crude in the extreme. We sang in a tiny bare room and into a big tin trumpet, which was connected direct to the recording needle by a rubber tube. We sang collarless and in shirt sleeves, for the place quickly grew stifling. When electrical recording came in, this was all changed, and we now sing into microphones in beautiful rooms, not unlike broadcasting studios.〔Baker, George. ("Making Three Thousand Records! ) ''The Gramophone'', September 1934 (Vol. XII), p. 125〕 Baker recorded roles in the first British recordings of ''Parsifal'' by Richard Wagner, ''Hiawatha'' by Samuel Coleridge-Taylor, ''Salome'' by Richard Strauss and Beethoven's ''Ninth Symphony''. He recorded in a wide range of repertory, including as "Uncle George" in a popular early series of children's recordings, in dance band records, hymns, and in the once popular recording of ''The Departure of a Troopship''.〔Gammond, Peter (1970) sleeve note to EMI LP HQM 1200〕 In 1915 Baker made his stage debut in the revue ''Now's the Time'' at the Alhambra Theatre.〔 In the 1920s, he performed with both the Carl Rosa and British National Opera companies.〔 He also toured Australia for J. C. Williamson Ltd. in 1922–23, playing the roles of Lord Harry Coe in the musical revue ''The Peep Show'', the Hon. André d'Aubigny in ''The Lilac Domino'' and Blair Farquhar in ''Sally''.〔 During this tour, Baker made several recordings for the Aeolian Company.〔("Here and There with Roger Wimbush", ) ''The Gramophone'', February 1970, (Vol. XLVII); p. 1264〕 During 1927 and 1928, he toured in the United States as Macheath in ''The Beggar's Opera'', making his New York debut in March 1928.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「George Baker (baritone)」の詳細全文を読む スポンサード リンク
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